Tom Petty & The Heartbreakers
Irving Plaza
New York, NY
April 11, 1999
3 Source SBD + AUD Matrix Mix
(60%-SBD + 20%-AUD1 + 20%-AUD2)
Source Info
SBD
SBD > DAT(M) > DAT(1) > DAT(2) >CDRW700 > EAC > FLAC
Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC
AUD1
Schoeps MK4 > SX-M2 > SBM-1 > D100 > DAT(M) > DAT(1)
Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC
AUD2
AKG300b’s > Aero > PCM-M1 > DAT(M) > DAT(1)
Transfer: DAT R500 > M-Audio 24/96 > CD Wave > FLAC
Setlist
- Intro
- Rip It Up
- Jammin’ Me
- Runnin’ Down A Dream
- Call Me The Breeze
- Swingin’
- Mary Jane’s Last Dance
- Telstar
- Listen To Her Heart
- You Don’t Know How It Feels
- It’s Good To Be King
- I Won’t Back Down
- Green Onions
- I Want You Back Again
- I Got A Woman
- The Letter
- Little Maggie
- Lay Down My Old Guitar
- Walls
- Angel Dream
- Titanic
- Room At The Top
- Heartbreakers Beach Party
- Guitar Boogie Shuffle
- Even The Losers
- I Don’t Wanna Fight
- County Farm
- You Wreck Me
- Free Girl Now
- Gloria
Tech Notes
FLACs were decoded to wave and SF 8.0 was used to reassemble
the tracks back to 1 long wave. CEP2.0 was used to align &
synch all 3 sources. CEP2.0 used to adjust the volume for
all 3 sources. Multitrack mixdown was performed using CEP2.0.
This is a 60% SBD, 20% AUD1, 20% mix.
FLAC conversion done 17-JLY-2005
Artwork by dan@am-dig.com 300dpi – For best results print
at the highest resolution onto glossy photo paper. Design for
use with a clear slim double jewel case.
Notes
Disc 1 and disc 2 can be assembled seamlessly on longer media.
There was an audible line buzz running throughout the SBD
recording. This was likely not going over the PA as the buzz
is not apparent on either of the AUD sources. The SBD DAT
recording continued to run after the feed from the SBD had
ended and the buzz continued. This leads me to concluded it
was a line feed problem. Bad cable possibly? Because the
recording continued after the music ended a perfect recording
of the buzz was recorded. This allowed me to accurately
capture and then remove the noise throughout the recording
very accurately without disturbing the fidelity of the
recording. This was done with Soundforge 8.0 using the
highest quality setting.
The 2 AUD tapes made that night were from similar locations
as you can hear the same ‘cat calls’, claps, etc. on both
recordings. However the 2 recordings still blended well
together and had different and unique sounds.
Live Petty 